How and what is being
co-created...
LDD board meeting at The Creative Playground. Inside the ‘De Kweekvijver’ in its raw state. April 2021
The dynamic that we want to stimulate and strive for is a cross creativity, transversal connectivity interactions, without preconceived fears and notions, with the broad demographic that surrounds and flows through The Creative Playground. Flowing through the space with a willingness to listen, look, feel and learn from each other. The activates should have social and sustainable relevance locally.
Funding applications.
When applying for funding, ensuring that we are not boxing ourselves in just for the sake of getting the funds. Also, to use the opportunity to see how our projects and actives can transform the social conditions by defining our added value to the social settings that we are position within.
That is to say, practices that are “social” enable a social group to survive and thrive under existing social conditions.

At this point, it is important to take our analysis of these terms to the next level by asking a crucial question. What social practices do communities adapt to not merely reproduce themselves under existing conditions? But rather, what social practices become tools for transforming social conditions?

"Ultra-red members have come to define “social practices” in ways that diverge sharply from contemporary art discourse. Once we understand “social practices” within a framework of struggle, it becomes immediately clear that one’s participation is not based on authorship of a social practice. Rather, a practice, if it is “social,” has no individual author."
Cara Baldwin, Dont Rhine, Ultra-red.
22 – 03 – 2021
There are two voices

Artists can’t afford and shouldn’t pay for residencies
But we're doing something amazing and so needed for the precariat’s. This project can help their reach and shift out of this position.
But if you/LDD work from a position of choice not from necessity then your intentions will be more focused, and the vision can have more time for intentional actions.
What’s possible? Look for other value systems for mutual support. You could also look at giving yourself more time, with or without money… a slower process without money. Consider multiple support systems… (Just how most artist do today…having other forms of income in order to support their art practice… It’s a paradox!!!)
You’re an artist setting up projects and offering your services for free. It’s this mentality that makes artist precariat’s.
The Creative Playground, an initiative of LDD founder Angelina Kumar, is an open-air green space situated at The Westplein in Utrecht. The Creative Playground will kickstart and inspire a sustainable hub at the Westplein through art and creativity. With a mandate from the Gemeente Utrecht, together with our partners Perron West and the Pluktuin we are joining up to curate a 5-month public art program in the summer of 2021. The Creative Playground offers visitors from the surrounding area a multi-diverse experience in this space. From a place that contrasts the busy city surroundings like an oasis in the desert, with a sculpture garden and pluktuin, to discovering and engaging in new creative sustainable projects through artistic events and upcycling workshops in a functional train wagon and tinkering workspace in a refurbished container.

Relevance: The Creative Playground is a valuable extension to the art strip on the Croeselaan. While the artworks on the Croeselaan showcase classical art forms and have been placed with a sustainable intention, The Creative Playground, will represent the active alive forms of art that welcomes interaction, participation and playfulness during its creative process. Art that captures current, relevant themes and topics in a way that visitors can participate. The projects and events hosted at The Creative Playground are aimed to stimulate organic crossover connections and interactions around the themes of art and the global sustainable goals together with the local public.
Activities
In collaboration with our partners and the local community we organize activities to cultivate The Creative Playground into a place that exudes active, alive, engaging, experiences with relevant forms of social art and sustainability.
We will do so by
A. hosting an art residency program for starting artists working on the intersection of art and social interaction.
B. giving workshops on art and sustainability
C. creating a meeting space through a publicly accessible sculpture garden and pick-your-own flower garden

Doelgroep: the broad demographic surrounding the Westplein location - the local community of Lombok, the corporate development projects, etc - and young artists in The Netherlands and beyond.
Stakeholders: Gemeente Utrecht, Perron West, Green Business Club of Utrecht, LA LA Foundation.
Duration: July – November 2021


Art residency program, workshops and sculpture garden:
For 5 months, The Creative Playground will host a residency program for (emerging) artists working at the intersection of art and social interaction.
The purpose of the residency is to respond to the need for more art spaces in Utrecht that support artists who are engaged in social and crafted art. It provides a direct connection for them to work with a wider audience. Through the artists' activities, a bridge will be created as a meeting place to this green island and surrounding spaces.
LDD selected 11 artists, including art duos, who responded to an Open Call for artists who have a public-facing, interactive and social artistic practice. We selected a combination of local and international Netherlands-based artists to appeal to a wide range of people.
This diverse group of artists was selected because of their interactive approach and because the themes of their proposed residency, workshop and event ideas are intertwined with the global sustainable goals central to The Creative Playground. Each artist and group will explore different perspectives, actions and interactions in the field of community-based art, such as through group activities such as storytelling, sculpture making, or simply cutting and pasting and spending time with nature. In a multifaceted way, this group of artists will provide different entry points and meeting points for the communities living in the surrounding area of West Square. It will offer new encounters and experiences for both the artists and the public.

(Click here to view the full application in Dutch)
Background of The Creative Playground.

We would like to explain where the idea for this outdoor art project space originated.
To begin with, LDD’s vision is to bring circularity and sustainability from within the arts to make a positive impact in society. By walking the walk of practical engagements, we aim to inspire and transform the art and cultural sector with long-term behavioural change and a mindset towards sustainability.
https://lucrativedumpsterdives.nl/

In September and October 2020, LDD hosted a 2-month art residency in Westplein, Lombok sponsored by Initiatievenfonds. The residency was conducted in collaboration with Perron West Stichting, which believes that with a diverse collection of socially involved residents, entrepreneurs and initiators, they can make the Lombok district and the city of Utrecht more beautiful, sustainable, social and lively. https://perronwest.nl/open-call-for-artists-and-creatives/

This residency was conducted as a pilot project exploring ways to bring more engagement and inclusivity through art into Lombok and the surrounding area. It was a good learning period for our team to gauge the needs, desires and level of interests for the involvement of the residence, creative makers and artists in the neighbourhood. The artists involved found innovative ways to reach out and make connections within the neighbourhood through their socially engaged art projects, despite the corona restrictions. For the residency a shipping container was acquired to host the artists and it will now remain in the space for up to a year.

What was highlighted by the local initiatives that we wanted to collaborate with, such as De Voorkamer and the artists, was the need and desire for a long-term creative program. This program would make it easier for our target groups to plan and incorporate their participation in advance, thereby increasing the prospects of their regular and customised engagement. Also due to the corona rules, opportunities and spaces for artists to experiment, exhibit and connect to wider audiences in Utrecht has been limited more than ever before. Therefore, LDD and Perron West were inspired to design and develop this cohesive community-based art project “The Creative Playground”. In order to regularly host inclusive activities, art and social events in this central open space, the Westplein. We believe that the Creative Playground will create more opportunities in the cultural field for making new connections and possibilities while enhancing and complement the goals and vision made by the Gemeente Utrecht for the Westplein location. We also see this as a positive testing ground to play with concepts of circularity and sustainability bringing them from within the art and cultural sector into society.
Seeking advice for other sources of mutual support.
Finding ways how we can support each other, through The Creative Playground. This hasn't always be easy as it takes a lot of conversations, meetings with different people, proposals and permits etc. It's a balance of listening and giving room for other ideas and visions, negotiations and keeping true to our vision for The Creative Playground.
In this podcast Bart talks to Angelina Kumar about sustainability and art. What is sustainability actually? And how can sustainability also be a lifestyle. She also talks about The Creative Playground, a new meeting place on the Westplein.
“For things to be sustainable they have to keep adapting and responding creatively to their current environment.” – The Biggest Little Farm Film
LDD would like to work with your crowdfunding platform as a way to have a mixed support structure and to spread the word about our new project called The Creative Playground located at Westplein 1001 Utrecht.
The Creative Playground is a 5-month interactive art summer program based on themes of sustainability.
The Creative Playground offers visitors from the surrounding area a multi-diverse experience in this space. From a place that contrasts the busy city surroundings like an oasis in the desert, with a sculpture garden and pluktuin, to discovering and engaging in new creative sustainable projects through artistic projects, events and up-cycling workshops in a functional train wagon and tinkering workspace in a refurbished container.
Through this crowdfunding platform we would like to find like-minded individuals in the neighbourhood and surrounding area that would like to support and participate in this new sustainable artistic venture.
(Click the logo to read about the feedback and the advice we received through this platform.)
During our board meeting we had a discussion about the need for LDD to have a face that people could recognised and they said that as the founder that should be me.

I felt uncomfortable with this, this idea didn't sit right with me. So later on I sat down and wrote the following....

Who is the face of LDD?

It’s about a cause that revolves around a changing team of people. The team changes based on circumstances, timing and the requirements of the project at the time. Together with these shifts comes new elements, visions and capacities of the project at hand. Therefore, LDD is always transforming around its core cause and axis, which is to enact circularity and sustainability and to be the bridge between art and culture and society. This is done through various scales and methods required at the present time, the trajectory shifts and changes over the course of transformation, location, connections and time frames. Responding to and with changing circumstances.

What is the face of the brand… it’s the current team? This face changes as time goes by but the current team is always the face of the brand because that’s how LDD has always been working, what LDD does and is doing has and is always been a result of teamwork.

The activities come about from the current teams’ visions and capacities.

What does it mean for me, Angelina, to be the face of the LDD? To be responsible for the foundation goals visions and actions.

To promote LDD – If LDD is about the team and the cause… then this is a mutually shared responsibility.

It’s about the team and the project! Therefore, the current team needs to be showcased, promoted and at the for front every time.
“It’s about people being together, how to meet together, how to make change together.”
- Lara Khaldi, in reference to the project she is involved in for Documenta 2022 working with different collectives’ artists and other collectives from Indonesia Jakarta.
(Click here to read parts of our conversation on this subject.)
Learning from other social examples through reading, visitations and participation.

(Click here for some references)
This was a long and gruelling, co-creation process that took a lot of ground research, discussions the different interested parties and stakeholders as well as finding a rhythm of working together with new team members.
The Creative Playground
2nd March 2021

Sharing
Today I shared our application for funding with the alumni of the Masters of Fine Art. Being able to share the process of writing, researching and creating it as well as its metamorphosis during the process was wholesome. Receiving their eyes, focus and intuitive insight help to view the plan from other angles. Perceiving the document from the receiver’s point of view as well as genuine questions for specific aspects of the project. This sharing even at the end of how to celebrate moments with or without getting the funding and the common feeling of understanding the struggles and getting lost in the process gave a sense of active support towards this on-going learning curve.

This also reminded me that it’s the process that is the most important part, rather than the application itself. The application process can be used to redesign, twee, define and aline the core values and passions that underpin the project itself and can strengthen the whole project overall.
(23rd February 2021)

By making funding application in a format that is business like, with a theory for how to write it, structure it, plan it and budget etc. The expectation themselves goes hand and glove with foundation of capitalism. After all you are asking for money. The Fact that most artists and creative makers hardly get the opportunity to learn how these structures are set up, automatically makes them depended upon those from the 'Arts and Economics' departments of life. They are trained to navigate the linear/economic system. They are not connected during their study to collaborate and work with artists and makers, but to engaged with the business world, creating a vast divide between those that are more fluid and sensitive in their process and that aren't easily moulded into a system or format. Or that are expected to find a way to be presented and represented within these formats and structural parameters. And so, it is that these delicate, sensitive, time-based process become in conflicted with the speedy, structured, reliable format that are essential to monetary transactions. What occurs is this feeds into various yet similar ventures that tend to take place. Each sort of reflecting or representing part of what sustainability should be but not going deeper or really challenging the structures that are deeply ingrained in these systems and frameworks that the ventures are embedded in. I find myself in a similar position all the time with my artistic practice that also entails a new artistic, cultural venture for sustainability.

It's difficult to go deeper because to do this you need to go slower, you need to zoom out and into the systems that are set in place, there needs to be new visions, that connects and disconnects, tests, experiments, proposes, tries, fails, works with others, nurtures a much more. This can seem disruptive but is a necessary approach in order to truly shift from the structure that have already set the destructive approach that were set within*. (* https://medium.com/disruptive-design/tools-for-systems-thinkers-getting-into-systems-dynamics-and-bathtubs-1f961f7c4073 )
(23rd February 2021)
By making funding application in a format that is business like, with a theory for how to write it, structure it, plan it and budget etc. The expectation themselves goes hand and glove with foundation of capitalism. After all you are asking for money. The Fact that most artists and creative makers hardly get the opportunity to learn how these structures are set up, automatically makes them depended upon those from the 'Arts and Economics' departments of life. They are trained to navigate the linear/economic system. They are not connected during their study to collaborate and work with artists and makers, but to engaged with the business world, creating a vast divide between those that are more fluid and sensitive in their process and that aren't easily moulded into a system or format. Or that are expected to find a way to be presented and represented within these formats and structural parameters. And so, it is that these delicate, sensitive, time-based process become in conflicted with the speedy, structured, reliable format that are essential to monetary transactions. What occurs is this feeds into various yet similar ventures that tend to take place. Each sort of reflecting or representing part of what sustainability should be but not going deeper or really challenging the structures that are deeply ingrained in these systems and frameworks that the ventures are embedded in. I find myself in a similar position all the time with my artistic practice that also entails a new artistic, cultural venture for sustainability.

It's difficult to go deeper because to do this you need to go slower, you need to zoom out and into the systems that are set in place, there needs to be new visions, that connects and disconnects, tests, experiments, proposes, tries, fails, works with others, nurtures a much more. This can seem disruptive but is a necessary approach in order to truly shift from the structure that have already set the destructive approach that were set within*.

(* https://medium.com/disruptive-design/tools-for-systems-thinkers-getting-into-systems-dynamics-and-bathtubs-1f961f7c4073 )

Fair Practice Code, Governance Culture Code, Diversity and Inclusion Code