Nurturing, Sunshine, Correspondence, Observing, Absorbing and Inquiry
Sustainability has many meanings, implications and layers. It must be alive and allowed to live in our environments so that it can thrive. There is no one perfect specific manual or recipe to be followed when living sustainably. When it is alive, each experience, element and attempt in and for sustainability is never the same. Each specific time, space, process and environment is different. Therefore, what one can do is reflect and draw from unique, concrete examples from those that have and are living it. And thereupon, imbibe elements that can be learned from, tested and transformed towards a current and relevant sustainable practice. Here is a well spring of inspirational sources that can been drawn upon in order to grow together within a wider deeper rhizome of connections.
(Growing together within a wider deeper rhizome of connections.)
I have to get lost...muddle and entangled in these themes and subjects. This is how I can test, play and discover how they work in daily life. What connections are made, how things unfold, fall apart or come together, for me and those around me. To live it is to know it and understand it. It's my life's game! However, I don't stand alone! I'm aware that what I do has a rippled affect, however big or small that might be, in the larger organism of life.
The Creole Garden

“It was a place known only to them, to keep the produce out of the hands of thieves, which they had invented, and we have since lost, was that in a very narrow space, they were able to grow dozens of different types of trees, different scents, coconuts, yams, oranges, pines, clementine’s, etc. they did it in such a way that the plans mutually protected each other. It was the essence of the Creole Garden. This principle of the Creole Garden is the same as the principle of rhizomes. It’s not the principle of the tree, or the genealogical tree. It’s the principle of distribution.”

(Edouard Glissant: One World in Relation)
The Art of Inquiry

'An experiment in the sense of prising an opening and following where it leads. You try things out and see what happens. Thus, the art of inquiry moves forward in real time, along with the lives of those who are touched by it, and with the world to which both it and they belong. Far from answering to their plans and predictions, it joins with them in their hopes and dreams. This is to adopt what anthropologist Hirokazu Miyazaki (2004) calls the method of hope. To practise this method is not to describe the world, or to represent it, but to open up our perception to what is going on there so that we, in turn, can respond to it. That is to say, it is to set up a relation with the world that I shall henceforth call correspondence. Anthropology, I believe, can be an art of inquiry in this sense. We need it in order not to accumulate more and more information about the world, but to better correspond with it.' Pg 20*

(Tim_Ingold_Making._Anthropology,_Archaeology,_Art and Architecture)
“Charting a course: Your own course plus the flexibility to improvise your reactions are two sides of the same coin: a conscious course offers the possibility to deviate purposively, improvisation provides experiences that simplify the charting of one's own course and the choice itself, in a circular process, with trial and error, is clarified.*
In everyday reality, certainly at the start of one's career, the circular process often takes place as follows: choosing by trial and error, taking steps, doing work, gaining experience - alone or with interested parties- reflecting, hesitating, re-orientating, choosing more stringently and one more gaining fresh experience, and so on.” Pg. 20 - 21*
(Janwillem Schorfer - Plan and Play, Play and Plan Defining your art practice)
Wiggling roots extending a rhizome of mutual support.
“Meeting across requires mutual stretching. Until you can hear me, our strengths will not be available to each other.” “We reach the bridge, shall we cross?” - Audrey Lord
Considerations, Being and Play
2020
The Covid-19 was a singular event that activated a change for me. Normal rules were out of the window. I had time to be with my thoughts, listening to nature and my daughter in a clearer way. I worked from my instinct and intuition. I slowed down... I played more...and got involved and enveloped in stories and storytelling... I felt connected to myself and my surroundings after a long time. It was peaceful and so quiet at times, I thought I might lose my mind. But that's when I started to do things, I normally wouldn't do... I listen, watched, reflected, wrote, made a film and explored concepts of what a community could be. We had our small tribe of 3 at home and yet we were so aware that there were other lives across the globe being affected by the same pandemic...and even worse... We notice how the rest of nature seemed to thrive without our daily stomping and clamouring.
Offering circular suggestions and examples to future creators. Understanding those quantifiable expectations while valuing them for yourself. The connections made in those ventures and projects. Take time to see the connections made within them and what value they are offering for your practice and life.
Colliding, combining, copying, inventing, adapting, learning, experimenting, patience and time. Mixed web’s full of ideas interlinked. The ying and yang of it all is what it’s about. Looking at what is there and what is not, what is current, what is yet to come and what has not yet been evoked. Where is that sweet spot, where is this discourse in the mists of it all? Results, accomplishments, change and actuality. Investment, engagement, impact and concrete defining. Fluidness, playfulness, instigation, passion, enthusiasm.

I desire to create change within the arts, where, how and what are always the questions that come up. To let things be open, playful and platforms for change, planning seeds, nurturing them and over time seeing the results. This growth can go in many directions a lot that is not anticipated, this is as a result from responding to the current way of working and the external input given and drawn from what is already happening. This then takes the growth and artwork into another direction, all within the same context though, and yet flowering in new forms. It’s a farmer’s job and there is also room for design, experimentation and creativity based off of the basics that is already known and researched. Like those who cut and paste parts of plants and trees together to get new results, hybrids and new strains. Inventing from what is already there, studying, researching and transforming to make new relevant ecological art projects.

(Click here to read more about my attempts in this matter.)
Hard Work, time, patience, tenacity, time off doing things we love. Spending time dancing and reading with my daughter. Having a long hot shower...washing the dishes, repotting the plants, painting freely. 6 years old and she hid the easter eggs for us. We read The Witches, painted the train in the snow and sunshine, she had a bath. I still need to find my cove moment, so that I can continue to support us.
Questioning and seeking other perspectives
Social Practice and Social Reproduction
That is to say, practices that are “social” enable a social group to survive and thrive under existing social conditions.
At this point, it is important to take our analysis of these terms to the next level by asking a crucial question. What social practices do communities adapt to not merely reproduce themselves under existing conditions? But rather, what social practices become tools for transforming social conditions?
"Ultra-red members have come to define “social practices” in ways that diverge sharply from contemporary art discourse. Once we understand “social practices” within a framework of struggle, it becomes immediately clear that one’s participation is not based on authorship of a social practice. Rather, a practice, if it is “social,” has no individual author." (Kyle Mckinley - Don't Rhine In Terms of Participation 2016 Social Practice and Social Reproduction)
Common
Common people, common room, a room with a view, room for one and room for all who are in this room? How long is the room? Duration and endurance, it takes time to be to become… Become what and who? with whom or for whom? Enter this room, speak in this room, read this room, question the room.
It’s about care, not control!

A personal exercise

“Take a second, take a little time to find something that each person really cares about. Something that matters. It doesn’t matter if it's big or little but something that matters. And how from that one proposes building a connection for a revolutionary terrestrial subject. How one proposes building the connectivity which can be part of transformation.” 50:24

“It’s about thinking about the entanglement that is the earth. And being responsible, cultivating the capacity of response. Being response - able. That cultivating the capacity of response. The connectedness our responsibilities to and for each other by have multiple consciousness within Gaia…”

Donna Harraway - 29:40mins
Staying with parts, projects, problems or characters and imaging and work together with all the possibilities… outcomes…connections and long-term results.

8th-05-2021
When walking with student from the young innovators program from the University of Utrecht and chatting with one of their teachers, our conversation led to the topic that there are specific ecologies within each social and sustainable project that the students were interacting with. The need for longevity for the student’s participation in these types of projects, in order to benefit of both parties to grow roots and take their own specific shape and form, came to light. This is for a few reasons. Each project has its own unique circumstances and by sticking with a project over a longer period of time, one has the opportunity to look at the local and specific setting and really find the specific areas that need attention. The students and the project team can work together to actualise ideas, see the results of the choices made and evaluate its outcome. This is preferred rather than a constant flux of opinions, suggestions and broad solutions being proposed constantly by passing through parties that have their own short-term agendas and perspectives. These can be good but it’s also by having a sense of responsibility to sit with a project for a longer time frame and working through and with the all the realities that have to be tackled. It’s here that both parties can grow together into their strengths and the experience and project can eventually be passed on from one generation to another. It is the same way a gardener would handle a sapling; the sapling needs to sit in a certain place for a period of time in order for its roots to grow strong enough before it can be moved to another location. If it’s constantly shifted around within the garden it will eventually die because its roots haven’t grown strong enough to absorb a constant source of nutrients. It takes time for these roots to grow strong enough so that the plant can hold it up in a lager plot of land or an open space where it can stand on its own. The natural growth needs time to find its symbioses within the larger ecosystem in order for the plant to thrive on the long-term. So, when working with a diverse project, doesn’t mean that things should always have to be in flux, rather some continuity mixed in the core of things is what contributes to and sustains a project in the long run. The results of which will be a deeper understanding of the intricacies of what it entails to create a wholesome project thereby also offering the participating students and partners the opportunity to gain a deeper understanding, meaning of these realities. A good example of this is artists Claudy Jongstra.
6-04-2021
It's bio polar today, bright and sunny with billows of snow weeping down on the yellow daffodils. The cheerful blue sky offsetting the grey, orange waves of freezing snowflakes. She imitates me “can we just enjoy the view and look into the windows as we pass by? Sorry I said to take the bus." Not to worry, it's better than getting wet.

Music sprang out from her ears permeating the bus... "Dancing in the dark, with you inside my heart."
Shifting binary, procreation and family connections of trees…
10-03-2021

I needed to go back to her, it was too long since I felt her roughness on my hands. When I looked at her and moved with her, everything else slipped away. He was there too, annoying at times, constantly questioning my decisions….. prompting me to not go to fast, but to look within my mind’s eye and move from my gut. “Don’t decide to add just because it's rational.” He would say. Working with them takes time, patience, sweat, pain, blood and getting messy. But it was worth it, everything else faded away and I was moving in the moment. When we’re ready we will share our vulnerability together. Some might see us or see other things, but what counts is our journey together and how we came to be….

(Installation piece, currently in process)
1-04-2021
Considerations when making the sculpture…It feels like it needs to be feminine and made out of rest materials and this material alone.
What height should it be made for? My height: or should I take the hight of a Dutch woman into account? Ideally, I would make it in different sizes: for kids, for people of different heights, with longer doors for an entrance, etc.
I have to use materials I already have and work within the limitations of my means. I would like it to be easy to transport on a bakfiets and have to consider storage possibilities for when it’s not being used.
"I began to wonder: If the artistic work required in order to collectively celebrate, to communicate without words, to draw, to dance, to sing, to build shared symbols and imagined futures, to raise children, to clean homes, to collect the garbage, to grow food, to heal, to learn, and to connect is not compensated or supported, how does it continue? Life is sustained by gift giving, by mutual aid, by lending, and by informal exchanges.

I learned that this idea — giving power and compensation to the labor that sustains life — is called the solidarity economy, and that it emerged from the global South in the 1990s, as economia solidária to describe economic practices and models which advance values of democracy, mutualism, cooperation, ecological sustainability, justice, and reciprocity." Caroline Woolard
"I have asked, as you have probably asked:
Is there a place in this world for me?
Today, I would reframe that question as:
Is this the world we deserve?"
Clara Takarabe
"We’re highbrow and lowbrow, fiercely opinionated, and not afraid to real talk each other about everything from menstrual cycles and body shaming to the Cheeto in Chief and workplace drama. We highlight women who are agents, creators, movers, and shakers who have smart, interesting things to say. We also care deeply about the lived experiences of non-famous women who are just trying to get through the week. We’re here for every facet of women’s humanity." Call Your Girlfriend
“We often forget that WE ARE NATURE. Nature is not something separate from us.
So when we say that we have lost our connection to nature, we’ve lost our connection to ourselves.”
Andy Goldsworthy
Working with time, nature and temporality...
A conversation with Alma Holm:
Alma Holm is an architect from South Africa with a passion for sustainable architecture. Alma offered to explore The Creative Playground project to see how we could make the space greener and sustainable from an architectural perspective. During her research process, I became curious as to what sustainable architecture means to her and what the approaches are towards sustainable architecture in South Africa and the Netherlands.

Through our conversation I be gain to see how a lot of the architectural concepts are about building an individual icon. For Alma architecture is about people and being a connection between people and nature. Architecture is the opposite of keeping nature out. Emulating the way nature works, by working together with what is already in the surroundings area in combination with the social structures and connecting ecosystems that are already set in place. These things are essential for the building to last.
Click here for the references
The short film Mango & Me follows a child's journey through natural and man-made habitats and explores another perspective on dwelling in, and dealing with, shifting turbulent times.
It started with observation, like how I observed Catalina playing while dressed in a gasmask and outfit. Then I captured what was observed and made something new from it. The Mango and Me film. Then I moved with what I observed letting it take me on a journey.
What kind of local connections do I want to follow and work together with?
Circle That
Some Examples:
Bless Ya Belly
The Traveling Farm Museum
These projects offer perspectives, choices, phases and paths of the women that are pioneering these local sustainable projects. Some are mothers, entrepreneurs, artists, circular businesswoman all driven towards various strains of living sustainability.
The sound was taking during a long walk and while listening to nature I came across and followed the sound of a woodpecker.

“Creating by understanding and seeking out what the local vision and needs are.”

“Perspiratory design and co creation enhances circularity and the need for natural systems and space in this time period when we’re working from a distance.”

“Circular way of building is also with a long-life span in mind, but a long-life span which is adaptable, which can change. I tend to veer away from rigid structures which is incapable of changing.”

“Sustainability should not be a fashion it should be the norm and the foundation – I’d hate for it to be a trend as it would be disastrous if we only incorporate sustainable ideas in the buildings environment now because every bodies doing it and then discarded in a few years’ time…….. It is a constant search… the method of making and the materials we are using today, if we keep researching can be even more sustainable in the future.”
You know when you are working on something or you have a eureka moment and something new is unfolding in your growth, then you discover someone else has already figured it out or has been on a similar discovery path before you and they have already solved the or come up with something cool and innovative. In the past it use to be a moment of discouragement or, to a more insecure mind, it would seem threatening, thoughts of defeat arise and a feeling of not knowing what to do anymore because the idea or journey is no longer unique or special.
But I've grown to understand something else, each time similar scenarios arise I become elated. This is because someone else has already paved the way. It also confirms that I was actually searching down the right path and now I can go further with this understanding, I can grow stronger. I can also impart my findings to others and something more rich and can continue as I start to see myself as a small part in the web of interconnecting effects. I can play my part to imbibe and support a wholesome ecosystem and future. I become less important and my connecting role in the whole more relevant. The ego is set a side to embrace my part in the whole.
https://www.dismalgarden.com/information